- How best to apply a halftone screen - if required, to avoid manually doing this in PhotoShop, and to avoid moire patterns appearing.
- The extent to which a tiny amount of tint that is virtually invisible on screen is able to be printed on the paper
- The amount that the ink rubs off on second pass through the press
- How gorgeously zingy the pink and yellow are.
Exciting to be the first project through the brand new Risograph press. Some teething troubles but all part of learning more about what Risograph is good at, bad at, and how to work with it.
Visual & ideas
Jane is less fluid and more organised at: www.janeglennie.co.uk